{"id":2407,"date":"2019-05-03T18:45:42","date_gmt":"2019-05-03T16:45:42","guid":{"rendered":"https:\/\/foujita.org\/restoration-of-the-foujita-works-at-the-cercle-de-lunion-interalliee-in-paris-faubourg-saint-honore\/"},"modified":"2026-04-01T19:02:48","modified_gmt":"2026-04-01T17:02:48","slug":"restoration-of-the-foujita-works-at-the-cercle-de-lunion-interalliee-in-paris-faubourg-saint-honore","status":"publish","type":"post","link":"https:\/\/foujita.org\/en\/restoration-of-the-foujita-works-at-the-cercle-de-lunion-interalliee-in-paris-faubourg-saint-honore\/","title":{"rendered":"Restoration of the Foujita works at the Cercle de l&#8217;Union interalli\u00e9e in Paris, Faubourg Saint-Honor\u00e9"},"content":{"rendered":"<div class=\"mceTemp\"><\/div>\n<p>After their exhibition (four panels out of eight) at the Mus\u00e9e Maillol as part of the exhibition FOUJITA PEINDRE DANS LES ANN\u00c9ES FOLLES between February and July 2018, the paintings on canvas that Foujita had conceived and created in 1929 for the <em>Cercle de l&#8217;Union interalli\u00e9e<\/em> in Paris were entrusted to the restoration workshop <em>Arcanes by <\/em>the Cercle interalli\u00e9 de Paris. Located in Paris 17th arrondissement &#8211; <cite class=\"iUh30\">www.arcanes.eu &#8211; the restoration workshop directed by Cinzia Pasquali received all the panels in order to proceed in stages with the consolidation of this masterful work, which has been severely affected by time.<br \/>\n<\/cite> <\/p>\n<p>The management of the <em>Cercle de l&#8217;Union interalli\u00e9e<\/em> entrusted its supervision to Sylvie Buisson, who agreed to oversee the stages of this restoration, scheduled to last more than six months.<\/p>\n<p>The project, placed under the high authority of Cinzia Pasquali, begins with a thorough examination of the surfaces and support, and proposes a restoration plan and process based on the various damages caused by time.<\/p>\n<p>The work begins with the removal of varnish from the surfaces in order to restore them to their original state; then the canvases are reapplied (lined) onto new supports, the different panels are stretched on lighter and more efficient frames, and finally the numerous surface repairs are carried out, reintegrating worn, damaged, or even erased details, while respecting the natural aging of the painting and its &#8220;patinated&#8221; appearance desired by Foujita himself. It is known that the artist&#8217;s reference is the painting technique on gold leaf of ancient Japanese screens that he was able to observe in various museums in Japan or even in some private residences.<\/p>\n<figure id=\"attachment_1072\" aria-describedby=\"caption-attachment-1072\" style=\"width: 364px\" class=\"wp-caption alignright\"><a href=\"https:\/\/foujita.org\/evenements\/restauration-des-foujita-du-cercle-de-lunion-interalliee\/attachment\/img_3153-2\/\" rel=\"attachment wp-att-1072\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1072\" src=\"https:\/\/foujita.org\/wp-content\/uploads\/2019\/05\/IMG_3153-1-300x225.jpg\" alt=\"\u00a9 Sylvie Buisson \" width=\"364\" height=\"273\" srcset=\"https:\/\/foujita.org\/wp-content\/uploads\/IMG_3153-1-300x225.jpg 300w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3153-1-768x577.jpg 768w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3153-1.jpg 787w\" sizes=\"(max-width: 364px) 100vw, 364px\" \/><\/a><figcaption id=\"caption-attachment-1072\" class=\"wp-caption-text\">Cinzia Pasquali and Sylvie Buisson, on April 3, 2019, in front of the paintings in the ARCANES studio.<\/figcaption><\/figure>\n<figure id=\"attachment_1073\" aria-describedby=\"caption-attachment-1073\" style=\"width: 886px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/foujita.org\/evenements\/restauration-des-foujita-du-cercle-de-lunion-interalliee\/attachment\/img_3147-2\/\" rel=\"attachment wp-att-1073\"><img decoding=\"async\" class=\"wp-image-1073 size-full\" src=\"https:\/\/foujita.org\/wp-content\/uploads\/2019\/05\/IMG_3147-1.jpg\" alt=\"\u00a9 Sylvie Buisson Archives \" width=\"886\" height=\"664\" srcset=\"https:\/\/foujita.org\/wp-content\/uploads\/IMG_3147-1.jpg 886w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3147-1-300x225.jpg 300w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3147-1-768x576.jpg 768w\" sizes=\"(max-width: 886px) 100vw, 886px\" \/><\/a><figcaption id=\"caption-attachment-1073\" class=\"wp-caption-text\">Panels in the final stages of restoration finishing (detail)<\/figcaption><\/figure>\n<p><a href=\"https:\/\/foujita.org\/non-classifiee\/restauration-des-foujita-du-cercle-de-lunion-interalliee\/attachment\/img_3154\/\" rel=\"attachment wp-att-1010\"><img decoding=\"async\" class=\"alignright wp-image-1010 size-large\" src=\"https:\/\/foujita.org\/wp-content\/uploads\/2019\/05\/IMG_3154-848x1024.jpg\" alt=\"\" width=\"848\" height=\"1024\" srcset=\"https:\/\/foujita.org\/wp-content\/uploads\/IMG_3154-848x1024.jpg 848w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3154-248x300.jpg 248w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3154-768x928.jpg 768w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3154.jpg 1125w\" sizes=\"(max-width: 848px) 100vw, 848px\" \/><\/a><a href=\"https:\/\/foujita.org\/evenements\/restauration-des-foujita-du-cercle-de-lunion-interalliee\/attachment\/img_3182-2\/\" rel=\"attachment wp-att-1074\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1074\" src=\"https:\/\/foujita.org\/wp-content\/uploads\/2019\/05\/IMG_3182-1.jpg\" alt=\"\" width=\"788\" height=\"591\" srcset=\"https:\/\/foujita.org\/wp-content\/uploads\/IMG_3182-1.jpg 945w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3182-1-300x225.jpg 300w, https:\/\/foujita.org\/wp-content\/uploads\/IMG_3182-1-768x576.jpg 768w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><\/a><\/p>\n<p><strong>Delivery, unpacking, and careful reinstallation of Foujita\u2019s works after their restoration.<\/strong><\/p>\n<p>The re-hanging of the panels by the LPART teams took place on May 3, 2019, at the <em>Cercle de l&#8217;Union interalli\u00e9e,<\/em> under excellent conditions, observed by the Arcanes workshop, Sylvie Buisson, expert, Mr. Dominique Ribeyre, former auctioneer, member of the Cercle and knowledgeable connoisseur, the director of the Cercle, Mr. Marc Wagnon, and the conservation manager, Mr. Rapha\u00ebl Gardon.<\/p>\n<p>\u00a9 photo archives Sylvie Buisson, Paris 2018<\/p>\n<p>\u00a9 Fondation Foujita \/ADAGP, Paris, 2025 for all uses of Foujita\u2019s works, name, and image.<\/p>\n<p><cite class=\"iUh30\"> <\/cite><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After their exhibition (four panels out of eight) at the Mus\u00e9e Maillol as part of the exhibition FOUJITA PEINDRE DANS LES ANN\u00c9ES FOLLES between February and July 2018, the paintings on canvas that Foujita had conceived and created in 1929 for the Cercle de l&#8217;Union interalli\u00e9e in Paris were entrusted to the restoration workshop Arcanes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2408,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30,31],"tags":[],"class_list":["post-2407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Restoration of the Foujita works at the Cercle de l&#039;Union interalli\u00e9e in Paris, Faubourg Saint-Honor\u00e9 - Foujita<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foujita.org\/en\/restoration-of-the-foujita-works-at-the-cercle-de-lunion-interalliee-in-paris-faubourg-saint-honore\/\" \/>\n<meta property=\"og:locale\" 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